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Sharia

Here There Is No Why

Sharia appears in the novel as a religious framework Kamal considers when explaining his attempted suicide bombing, not as a fully described code of conduct. In a prison interview, he tells Hannah that he may have been following Sharia and that God might have been pleased, but immediately qualifies both claims. His account makes the term part of an unsettled explanation: a possible religious rationale, rather than the motive he says mattered most.

Invocation in the Interview

Hannah asks whether religion led Kamal to fight Jews and kill them. Kamal answers tentatively, allowing that religion may have been a bonus and that Sharia may have offered a way to understand his actions. He does not describe a particular rule, religious authority, or interpretation, and the exchange offers no independent account of what Sharia requires. Its focus is his own claim and his uncertainty about the role faith played.

Motives Kamal Places Ahead of Religion

Kamal contrasts that possible religious justification with motives he states more directly. He says he wanted revenge and hoped the money Hamas would give his family could help them leave the refugee camp for somewhere such as Ramallah, London, or Detroit. More fundamentally, he describes himself as poor and trapped in a life he considered insignificant. He wanted his death and the deaths of innocent people to send a message to the world and force attention to his people's desperation. He acknowledges the narcissism and madness in imagining that people everywhere would watch his recorded statement and come to their defense. In this account, Sharia does not displace material reward, revenge, or the desire to make a life seem meaningful through death; Kamal explicitly places those concerns closer to the center of his explanation.

Narrative Significance

The interview resists reducing Kamal's violence to religious command. His tentative appeal to Sharia sits beside his acknowledgement that the victims were innocent and not the oppressor, and his account of using their deaths as a message. That tension makes the reference revealing but limited: Sharia is one vocabulary through which Kamal may have interpreted his actions, while his own explanation emphasizes desperation, political grievance, and a wish for significance. The novel presents this as Kamal's retrospective account, not as a general definition of Islamic law or a verdict on its teachings.